Programming is dictated by meaningful names of objects. In working on the sounds, I used field recordings and developments from my Cricket Prepared project, ice cracking in the Gulf of Finland and a child's voice.
According to my idea, being in the room was supposed to create the effect of looking through a magnifying glass, when crisp ice scatters into streams of cold spray, building dynamic spaces in which the insect's calling signal is transformed into a pedal of an inhuman choir.